Hard to believe it’s time to change the copyright date on my cartoons again, but alas, here we are. I’m both humbled and happy to report that 2012 was my best year yet as a Cartooning Professional. Thanks to all those publications that made it possible by using my comics and freelance illustrations, and thanks to readers who lent their support through print orders, donations, and thoughtful comments here and elsewhere.
Some highlights of 2012:
In March, I found out I was this year’s Herblock Prize Finalist. With my prize money, I purchased an emerald-encrusted mechanical pencil with a burled walnut barrel and deluxe boar leather handgrip. OK, maybe I didn’t.
In May, I flew to Vegas for the National Cartoonists Society annual gathering. There, I mingled with a number of the nation’s comic strip artists amidst the constant presence of cocktails. I felt briefly fancy, then returned home with a suitcase full of dirty laundry and no longer felt fancy.
Shortly afterward, Mr. Slowpoke and I began an epic road trip from the Northwest to Austin, TX. During the drive, while we were somewhere in the middle of Utah, Kaiser Health News posted my comic about freelancers and health insurance (“An Open Letter to the Supreme Court About Health Insurance“), which blew up and became one of KHN’s most-read stories ever. (Clearly the SCOTUS decision upholding the Affordable Care Act was all thanks to me. You’re welcome.)
In June, I attended Netroots Nation in Providence, RI, where I was on a panel with fellow Daily Kos cartoonists Tom Tomorrow and Matt Bors. As an added bonus, Paul Krugman showed up in the audience while I was at the podium. Fortunately, I realized this after I sat down.
Also in June, I found out that I won the 2012 Association of Alternative Newsweeklies Awards for Best Cartoon. Huzzah!
In September, I covered the Democratic National Convention in Charlotte for the Austin Chronicle and C-VILLE Weekly. I can now say I saw the Foo Fighters live.
A few days later, I was off to Washington, DC for the Association of American Editorial Cartoonists convention, where I gave a few presentations. I participated in the cartoon version of a “Literary Death Match,” in which I was narrowly defeated in the final round by Keith Knight, who drew better blindfolded than I did (I’m sure he cheated).
My travel season finally over, the fall brought an abundant harvest of freelance work, most notably a series of WPA-style posters for the National Women’s Law Center. This gave me a chance to admire the incredible handiwork that went into the old WWII posters, and to spend way too much time thinking about fonts.
Around this time, the Center for Cartoon Studies unveiled a tribute poster to Matt Groening’s “Life in Hell.” I was flattered to ask to participate. My contribution was published on Slate.
The year was rounded out with a pleasant interview with Tom Racine of “Tall Tale Radio.”
Whew, I’m exhausted just thinking about all that stuff. Here’s hoping 2013 is similarly righteous. I’ll be unleashing a completely revamped website in the new year, so stay tuned for that. Cheers!