I’m taking some much-needed time off over the holidays. This is a “classic” from 2014 with some relevance to our current moment. According to the Center for Economic and Policy Research, the minimum wage would be $24 in 2020 had it kept up with productivity growth.
If you are able, please consider joining the Sorensen Subscription Service!
I’m in the process of updating the site, so if you see some broken bits here and there, that’s why. Of course, when you become a subscriber, the cartoon and commentary are luxuriously delivered to your very own inbox, thus allowing you to avoid the website altogether!
At long last, I’m launching the Sorensen Subscription Service. Many readers have inquired about this over the years, with some going so far as to set up their own “service” through recurring donations (thanks!). While I’m still fortunate to have paying clients who make the strip possible each week, it seems clear that reader subscriptions will be a necessary part of my business model going forward. Especially if the GOP destroys the Affordable Care Act and my health insurance premiums approach the cost of porn star hush money.
Those who join the S.S.S. (which may eventually take on a more novel name — The Eagle’s Clutch, anyone?) will, at an absolute minimum, receive the cartoon via email each week as soon as it is ready for consumption. I have big plans to include bonus material, such as behind-the-scenes glimpses of the creative process and photos of what I’m up to. You’ll also stay in the loop regarding public appearances, side projects, and forthcoming books.
So sign up today! It’s cheap and easy and will give you a warm, gentle glow of satisfaction.
I’ve received many comments over the past week about my last cartoon, snootily lecturing me that “We live in a republic, not a democracy.” I’m posting my response here so I can point people to it in the future.
1. A constitutional republic is a form of democracy. To quote from this:
The United States is not a direct democracy, in the sense of a country in which laws (and other government decisions) are made predominantly by majority vote. Some lawmaking is done this way, on the state and local levels, but it’s only a tiny fraction of all lawmaking. But we are a representative democracy, which is a form of democracy.
The primary way to end government corruption is through campaign finance reform and publicly-funded elections. Anti-government libertarians have not supported candidates or policies that would lead to this outcome. Gorsuch will uphold Citizens United, ensuring future corruption of politicians by moneyed interests, furthering the right-wing ideology that government is inherently corrupt. And so the cycle continues.
I appreciated this note from reader Alex, in response to my recent comic on the concept of political correctness:
I’ve been reading your comic for years and I loved your latest one on right wing political correctness—something that seems to get completely ignored!
I’ve made a list of right wing political correctness in the States I thought you’d enjoy:
You cannot critique:
Police officers (particularly policeMEN), firefighters (particularly fireMEN)
Patriotism/Nationalism/Fourth of July
Christian Holidays (and you must say Merry Christmas/Happy Easter)
White victims of crime/trauma
You cannot use:
[The terms] heteronormative, internalized misogyny, implicit bias/racism, white privilege, racist (must say racial bias), sexist
Data, science, statistics that contradicts “feelings” (of white people that is)
Words to describe terrorists other than Islamic extremist .
You cannot talk about:
Drug addicts as victims rather than criminals
Reasons why someone might get an abortion
Criminals as people
Terrorists as people
Cycles of poverty
Terrorism committed by white people
Excitement about “first woman” or “first X”
Go check out this piece I edited for Fusion, a comic essay by Adam Bessie and Marc Parenteau that makes a compelling case for letting people use medical marijuana to ease their suffering.
A couple things I’ve been up to lately: I edited this illustrated essay by Juana Medina about her Kafkaesque experience immigrating to the U.S. Moving here legally and permanently from another country isn’t as easy as some people think.
I also had the pleasure of interviewing comedy writer Nell Scovell (credits: The Simpsons, The Muppets, Spy Magazine, among many others) for the Austin Chronicle’s SXSW coverage. We had a nice chat about bullshit and women in comedy.
For the time being, I’m going to try to maintain a more regular schedule of posting my comic here on Monday night/Tuesday morning. My travels and editing work for Fusion have made posting a little unpredictable over the last several months, so to simplify things, let’s say Tuesday morning is the new time.
Over on Graphic Culture, I’ve been working with ace comics journalist Andy Warner on this excellent piece about a grower in California trapped in legal limbo. It’s a fascinating look at entrepreneurship while walking a very fine line until full legalization (probably) happens.
My recent graphic journalism piece for Fusion about my friend’s sexual assault got a large response. Here’s a post I wrote on the feedback I received.
Some of you have noticed a lack of activity here on the blog, and later posting of cartoons than usual. This is because I have started working as Comics Editor for Fusion, a new media company from ABC and Univision. If you aren’t familiar with Fusion, it’s both a cable channel and digital news outlet aimed at diverse young adults. (It’s OK if you’re not a young adult — you can still enjoy it.)
Last fall, we launched Graphic Culture, a collection of cartoons, comics, and longer-form graphic journalism pieces, as well as occasional animation and articles about cartoonists. The site is still in “Beta” — a whole new site, and Graphic Culture front page, is coming soon. But I invite you to check it out now. We’ve published lots of great stuff already, including this roundup Charlie Hebdo cartoons.
So now you know why I haven’t been blogging much. I have a good excuse!
Pioneering editorial cartoonist Etta Hulme, who worked for the Ft. Worth Star-Telegram for decades, passed away recently at the age of 90. She drew cartoons well into her eighties, retiring in 2008. Hulme was, at times in her career, the only female political cartoonist working professionally in the entire country. She was a great artist and a political iconoclast in Texas, in the Molly Ivins and Ann Richards mold.
It’s puzzling to me how this amazing woman flew under the radar of the powers-that-be for her entire life. She never won a Pulitzer, despite her high-caliber talent that, in my opinion, exceeded that of many Pulitzer winners. Her Wikipedia entry is only a few lines long. Apparently she didn’t merit a New York Times obituary — unlike many obscure businesspeople, authors, and filmmakers who populate that section. But you can read remembrances of her on the Washington Post’s Comic Riffs, which interviewed several cartoonists, including me. The Star-Telegram has more.