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2012 Wrap-Up: Stuff I Did This Year
Hard to believe it’s time to change the copyright date on my cartoons again, but alas, here we are. I’m both humbled and happy to report that 2012 was my best year yet as a Cartooning Professional. Thanks to all those publications that made it possible by using my comics and freelance illustrations, and thanks to readers who lent their support through print orders, donations, and thoughtful comments here and elsewhere.
Some highlights of 2012:
In March, I found out I was this year’s Herblock Prize Finalist. With my prize money, I purchased an emerald-encrusted mechanical pencil with a burled walnut barrel and deluxe boar leather handgrip. OK, maybe I didn’t.
In May, I flew to Vegas for the National Cartoonists Society annual gathering. There, I mingled with a number of the nation’s comic strip artists amidst the constant presence of cocktails. I felt briefly fancy, then returned home with a suitcase full of dirty laundry and no longer felt fancy.
Road trippin'
Shortly afterward, Mr. Slowpoke and I began an epic road trip from the Northwest to Austin, TX. During the drive, while we were somewhere in the middle of Utah, Kaiser Health News posted my comic about freelancers and health insurance (“An Open Letter to the Supreme Court About Health Insurance“), which blew up and became one of KHN’s most-read stories ever. (Clearly the SCOTUS decision upholding the Affordable Care Act was all thanks to me. You’re welcome.)
In June, I attended Netroots Nation in Providence, RI, where I was on a panel with fellow Daily Kos cartoonists Tom Tomorrow and Matt Bors. As an added bonus, Paul Krugman showed up in the audience while I was at the podium. Fortunately, I realized this after I sat down.
Making new friends at Big Nazo in Providence, RI
Also in June, I found out that I won the 2012 Association of Alternative Newsweeklies Awards for Best Cartoon. Huzzah!
In September, I covered the Democratic National Convention in Charlotte for the Austin Chronicle and C-VILLE Weekly. I can now say I saw the Foo Fighters live.
Me with the entire Obama family
A few days later, I was off to Washington, DC for the Association of American Editorial Cartoonists convention, where I gave a few presentations. I participated in the cartoon version of a “Literary Death Match,” in which I was narrowly defeated in the final round by Keith Knight, who drew better blindfolded than I did (I’m sure he cheated).
With Clay Bennett and Tom Tomorrow at AAEC. Photo by Bruce Guthrie
My travel season finally over, the fall brought an abundant harvest of freelance work, most notably a series of WPA-style posters for the National Women’s Law Center. This gave me a chance to admire the incredible handiwork that went into the old WWII posters, and to spend way too much time thinking about fonts.
Around this time, the Center for Cartoon Studies unveiled a tribute poster to Matt Groening’s “Life in Hell.” I was flattered to ask to participate. My contribution was published on Slate.
The year was rounded out with a pleasant interview with Tom Racine of “Tall Tale Radio.”
Whew, I’m exhausted just thinking about all that stuff. Here’s hoping 2013 is similarly righteous. I’ll be unleashing a completely revamped website in the new year, so stay tuned for that. Cheers!
Delayed posting + WaPo article
I had a whirlwind of a week in DC for the Herblock ceremony, and did not get around to posting the latest cartoon on Monday as usual. Fortunately(?), Donald Sterling is still making headlines by putting his foot in his mouth.
Also, be sure to check out this truly wonderful Washington Post article by Michael Cavna that was published the day of the Herblock event.
Centennial, Colorado requests anonymity for school shooter; I agree
Families and officials in Centennial, Colorado, the scene of the latest school shooting, have been taking a subdued approach to discussing the identity of the shooter, requesting that the media not name him or show his picture. I wholeheartedly agree. I have long maintained that extensive coverage of the shooters themselves is unnecessary and contributes to the problem.
Some members of the media bristle at this; it smacks of censorship, they claim. It prevents us from understanding why the shooting happened. But mass shootings are media phenomena; the media is part of the story. It’s not just a passive vessel for static facts. We can understand what led to a mass shooting without the exhaustive, titillating exploration of every detail of the killers’ lives. Moreover, this sort of sensational coverage of the shooter himself leads us to believe it’s an individual problem as opposed to systemic. I would argue it gets us farther from the truth.
Comic in Bitch Magazine
I drew this month’s “Adventures in Feministory” comic in the back of the latest issue of Bitch, out now. I got to interview the great humorist writer Cynthia Heimel, author of “Sex Tips For Girls” and long-running columns in the Village Voice and Playboy. Heimel was one of my early influences, so this was, like, the coolest project ever. Print-only, so look on newsstands if you don’t subscribe.
Escape From Ronald Rump… Again
Matt’s latest cartoon has moved me to share a comic I drew seven years ago, the last time we went through a Donald Trump-oriented media frenzy (click for larger version).
The corresponding blog post from April 27, 2004:
I sometimes watch late-night comedy shows while drawing the strip. One night recently, THREE shows in a row had interviews with Donald Trump or a sketch about Trump. When the networks want to ram something inane down our throats, they sure don’t hold back. No wonder a majority of Americans still think Iraq had something to do with 9-11, even though the White House once quietly admitted this was false (it was barely covered).
So, you see, this happens once every seven years. He’s like a PLAGUE OF LOCUSTS!
Slowpoke on NPR
Just found out my latest cartoon is on NPR right now. The comments section seems to have quite a few people trying to depoliticize the AZ shootings, blaming “both sides” for their partisanship. (Personally, I don’t think questioning the violent, paranoid rhetoric of Palin, Angle, Bachmann, et al, makes one particularly partisan, but whatevs.)
Not that there’s anything wrong with having strong political convictions. As reader AC wisely pointed out, people mistakenly believe “it is partisan politics generally, not any actual positions on either side, which is the problem.”
Cruzin’ under the radar
This Bloomberg profile of Ted Cruz’s biggest backer, hedge fund billionaire Robert Mercer, is so chock full of delicious details, I implore you to read the whole thing. For example, more on those owls:
Mercer has dubbed his house the Owl’s Nest. Owls seem to be something of a familiar for Mercer. He’s commissioned a succession of yachts, all called Sea Owl, the latest of which stretches to 203 feet, with a pirate-themed playroom for the grandkids and a chandelier of Venetian glass. At least one Sea Owl was fitted with a medical center and video links, so a stroke at sea, for instance, could be diagnosed and treated remotely by a former White House physician ashore…
At the Owl’s Nest, visitors pass through pillars crowned by a pair of owl statues, their wings outstretched as if taking flight. People who’ve been inside describe a pistol range, a series of secret passages, and an octagonal tower holding a two-story library.
Among Mercer’s other financial beneficiaries is an idiosyncratic guy (to say the least) conducting experiments on 14,000 vials of urine on a sheep farm in remote Oregon. It’s hard to explain, and even harder to fit into a cartoon, unfortunately. You’ll just have to read about it.
This would all be purely amusing were it not a reminder of the growing power of the far-right fringe, especially in the era of Citizens United.
Of course, this cartoon is by no means a complete list of Cruz’s shortcomings. The man is vile in too many ways to enumerate here.
Brand New World
Corporations sponsoring sporting events is obviously nothing new, yet the U.S. Open seems to take commercialism to the next level. In addition to the ubiquitous logos of upscale products and financial services splashed on every available surface, there are odd little promotions such as the instant replay (technically a “line call” to determine whether a ball was in-bounds) being rebranded the “Chase Close Call” as described in the comic. At the end of a match, the winner whacks balls into the crowd as part of the “Emirates Ball Flight.” There was also something involving Grey Goose Vodka that I can’t quite recall, aside from the fact that I found myself craving a greyhound cocktail afterwards.
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Supreme Debacle
The Supreme Court ruling overturning the Chevron doctrine was largely overlooked in the wake of the debate, but possibly even more apocalyptic. In short, the Republican majority gutted the precedent that gave deference to scientists and other experts at setting regulations for pollution, safety, worker rights — i.e., basic functions of government. Everything now has to go through the courts, which are jam-packed with Trump appointees and other Federalist Society-backed corporate extremists. This Slate article provides a good overview. To quote Justice Kagan, who I attempted to draw in the first panel: “the majority today gives itself exclusive power over every open issue—no matter how expertise-driven or policy-laden—involving the meaning of regulatory law. As if it did not have enough on its plate, the majority turns itself into the country’s administrative czar.”
We all breathe air and eat food, and I assume many of the justices have children that they don’t want poisoned. No one escapes the impact of these rulings. But it’s their reality now and we’re just living in it.
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Slowpoke Tumblr
I set up a Tumblr page for those who want to keep up with me that way.
This Week’s Cartoon: “2012: A Mad Lib Odyssey”
Three years ago around this time, I was asked to draw a comic for C-VILLE Weekly about events in the year ahead. At first it felt like I’d been asked to predict the future, and I thought it would be difficult. But after a bit of mulling, I found I could write an entire two-page comic addressing many of the “big” news stories of 2009 — Obama’s inauguration! The Star Trek reboot! The First Puppy! — before the year even happened. It made me realize just how much news is formulaic. Not to diminish the importance of good journalism; on the contrary! It is the antidote to normalizing fluff.
So I decided to do a mini-version of my “predictive” comic, in a sense. Just remember it in November when you hear some pundit waxing triumphant about the American electoral process, which will most assuredly have sucked in a thousand ways, no matter who won.
Pride and Prejudice Anniversary Comic
Ever wonder what Jane Austen’s “Pride and Prejudice” would look like as a one-page comic? For the novel’s 200th anniversary, NPR Books asked me to create such a thing.
A technical aside: this was the first time I’ve ever had to lay out a comic specifically with mobile device readers in mind. Apparently NPR gets huge amounts of mobile traffic, so they split the comic up into individual panels that rearrange themselves depending on platform/screen size. Pretty interesting, and something Jane Austen likely never imagined would happen to her novel as she wrote it two centuries ago. (For a truly meta experience, check out this Storify of a Twitter conversation about making comics “responsive” between two news design people and myself.)
As a creator of complex female characters, of course, Austen was very much ahead of her time. Two hundred years ago, she was more highly advanced than most Hollywood screenwriters are today.
